The Top DJ Tips, Tricks and Advice for Club DJing and Making People Dance

Here's my multi steroid booster, magic bullet little blue pill designed to make you perform like the best hot list of 6 key DJ tips:

1. Be the Master of your equipment

Don't think you'll somehow get by without enough practice.

You may not want to hear it but you'll need to know your DJ gear inside out and like a real pro.

Read the manuals, look up the best video tutorials, practices and advice on how to use it and try some little tricks with it yourself in the weeks and days leading up to events.

Develop your own little techniques and wizardry. Take it to the max.

Be the geek who knows all about how to make the most of your gear.

Make sure it's 100% reliable and carry out all the maintenance checks you'll need. Take a back up solution if you can.

Back up gear

For example: if you have no back up for your laptop, burn some tunes onto CDs. At least if your laptop crashes you'll be able to play from them.

Know exactly how everything works. Be relaxed with it. This'll free you to think about other things, such as..

2. Know your music

Knowing exactly what tunes you've got in the bag, case or on your hard drive is a huge bonus.

Knowing when to play the right tunes and who to play it to is just as important.

A deejay who cannot perform should either not be playing or has forgotten to check through his or her music recently.

Check my pro DJ tips on knowing all about your music.

3. Watch the crowd

Now, you can master your DJ equipment perfectly well.

You have the best tunes in town.

But if you're not paying attention to the heart and soul of the party, then none of that matters.

A real pro will be watching the crowd every few seconds.

He or she won't be just looking up every ten minutes, they'll be feeling the dancefloor out, connecting with them.

A top deejay won't be so immersed in their mix that they can't look up. They are comfortable enough with their mixing techniques that they can afford to check out who's dancing, who's going crazy and they'll see if people start to sidle off the dancefloor.

Reading reactions

You'll be able to gauge people's reactions. Maybe they're happy, drunk, drugged up, boys or girls, black, brown, white.

All of this is important when deciding how to react by choosing your next tune.

It's the intuitive part of DJing and it's why some make it and others don't.

Luckily you can find out much more about DJ Tips to read the club dancefloor.

4. Look great when DJing

Like it or not, how you look is part of your image and impact.

Some people even prefer a good looking guy or girl to someone who puts on the best tunes.

No really, it's true.

Ask your image conscious friends some tips on how to dress and adapt to the venue you're playing at.

People will relate better to you if you at least make an effort.

I'm not saying you have to look like Brangelina, but be smart, adapt and make the most of what you have.

When I say adapt, I mean that you'll need to know about the people who hang out there and they'll react better to you if they relate to your image.

You'll go further if you do that.

5. Don't get distracted from your set

It's all to easy for the weak willed boys amongst us to get distracted by a hot gorgeous girl coming up to the booth with a flirtatious smile and asking for Lady Gaga right this minute, because it's her birthday, she says. Be respectful, but remain in charge Be polite, but don't get distracted. Speaking to her is not more important than getting your mix right. Now, maybe it's just me but people always seem to ask me for stuff right when I'm lining up a tune and I need to concentrate. I just ignore them until I'm set and satisfied. Then I'll answer them, quickly. Remember your priorities Don't let them distract you from your set. Listen, be nice, but they can't change the course of a night that's going so well. The priority is your set. You need to remember that before some big breasted dolly puts you off. If you find that you have difficulties with saying no to requests then see exactly how best to handle them with my tips on dealing with booth requests.

6. Play the music they want and not what you want

Now let's get this straight.

While it's hard not to think this is all about you, numero uno, number one son of a gun and the king of the booth, it isn't. I know I just said you shouldn't get distracted by hotties asking you for music, leave that until the end. One of the best DJ tips is for you to pay attention to the whole crowd, not just one person asking for Lady Gaga. You see, people are there to have a good time and very few of them will actually be looking at and wondering about how cool the deejay actually is. It feels grand to lay down tunes that make people dance from a club booth, but you're here to make people dance. You're not playing to jerk yourself off in a booth. The more people that dance, the more successful the night will be and the more chance you have of getting bigger and better paid future gigs. So it's up to you to adapt to the crowd and not the other way around. The above DJ tips should help you play your set better, get invited back for more gigs and rock the dance floor.

This article and many more other DJ tips, advice and a free guide to getting DJ gigs can be found at The Total DJ Blog

Digital Dj'ing - Using a Laptop or PC as part of your Mobile Disco

Many Mobile Discos have made the change from a conventional CD or Vinyl based system to a software based one, usually running on either a full sized pc or a laptop. The fundamentals of both systems are largely the same, and so you shouldn't simply be taken in by reading other DJs horror stories about how their laptop overheated during the first dance at a Wedding or how their full sized PCs power supply exploded halfway through a gig. There are pros and cons of using both systems, but largely whether to use a full size pc or a laptop comes down to personal choice, practicality, budget and space, and you'll often find that DJ's criticising the opposite machine, have never actually used the system that they are criticising!. If possible visit a DJ who already uses a system to that which you intend to use yourself, nothing can sell an idea better than actually seeing it in use!, for the record, I have watched Mobile DJ's use both PC's and Laptops to DJ from, and neither, in my opinion, was more reliable or better than the other, so it should only be personal choice, rather than rumour or scaremongering which makes the decision on that score!.

Is running a Mobile Disco from a PC or Laptop reliable?

Anybody who has ever encountered the windows blue screen of death, or worn out the Ctrl+alt+del keys on their keyboard will possibly dread the thought of using such a system as a platform to their DJ'ing!. In essence, a decent dedicated pc or laptop with a clean install, good quality hard drive and a reasonable amount of memory will out preform most typical home pc set ups which may be running several applications at a time, be infiltrated with virus or spyware traces, and have a hard drive and registry full of corrupt enteries and partly uninstalled files.

The key to running a successful software based DJ system, is to buy a dedicated pc / laptop for the task, and to only run the operating system and DJ Software on there, and never allow it to run other applications or even connect to the internet. This way the installation runs and remains clean and largely error free, will rarely have a corrupt file, and won't get infiltrated or bogged down with several other applications. This advice is given by DJ's who have been using software and PC's for many years, and have found this method of DJ'ing to be just as reliable as conventional DJ'ing from CD's.

The advantages of using a Laptop or Pc to DJ

The advantages of converting your material to music files and using a Pc or Laptop to DJ from are many. The first is the most obvious, gone are the days where you are carrying several heavy boxes of CD's around with you, most DJ's CD collections can easily be converted to MP3 and will fit onto a 80gb - 200gb hard drive!. By converting to Software Dj'ing you also rid yourself of that long search through several hundred CD compilations in order to find that elusive requested track that you just know that you have got somewhere!. With most DJ Software, you can type in part or all of the artistes name or song title and find it within seconds!. It really is possible to find and cue up a request within 5 seconds - something which just can't be done easily or quickly with a CD or vinyl collection.

Other advantages of a software based DJ system, include the possibility to create playlists from frequently used tracks, and you could create playlists from all genres, for example a playlist for background music, one for dance music, one for the 70s and one for the end of the night slowies. Of course you can also group the tracks together and catalog them according to Genre which also makes finding tracks from particular era's easier too. Some DJ Software will also allow you to group tracks together which have a similar BPM - a boon for DJ's who mix.

Which DJ Software should I choose?

There are many different brands and types of DJ Software about, again it comes down to personal preference which type you choose. It is always a very good idea to check out reviews and discussions on DJ Forums and if possible to find a DJ who uses a system based on the software which is of interest to you, so you can actually see it in action, in a disco environment.

Some DJ Software comes with a free trial, which enables you to download and install the software on your system and try it for for free for a time limited period (usually 10 - 30 days). Depending on the cost of the software, there can be differing features. Some Dj Software will simply allow you to cue up and play music using 2 "players", others will have more comprehensive features, such as being able to fade between tracks, alter the pitch and tempo controls in a similar manner to conventional CD and Vinyl turntables, some of the more expensive software will even allow you to mix, or add a USB controller which looks and functions like a twin cd controller!, some Software will even mix the tracks for you!.

Remember that a feature is only worthwhile if you have a use for it!. Carefully consider what features you need, and which will be the ones that you will have any use for. It would be pointless buying a Dj Software package which allows you to mix, if you are a mobile dj who rarely has the requirement to beat mix. Most Software in its basic form, also comes with the option to add and install plug ins which give you additional updates and features, so its worth starting with the basic packages and then adding new features if and when you require them!.

My advice at this stage, if you are new to, or considering Software Dj'ing is to download the free trials of the various software which is available, try them for the time limited period, and then buy the one which suits you, and which is the most comfortable to use.

Some dj software titles which are currently popular and well reviewed by Mobile DJ's include OTSDJ, DSSDJ and PCDJ

What type of PC do I need to run my DJ Software package

When you have decided on a software package, it is then time to consider what pc or laptop to use it on. Contrary to rumour, you don't need the latest brand new pc or laptop to successfully run DJ Software from, and neither do you need a huge CPU processor. Most DJ Software will happily run on a pentium 3 processor with 600mhz speed or higher, many of the newer 1.2ghz+ celerons will also flawlessly run DJ software with no problems and without breaking into a sweat. Try and buy as much memory as you can afford, ideally 512mb of memory or a minimum of 256mb for most applications.

How big should I be :o)

A decent sized hard drive is the next consideration. Remember the bigger the hard drive the more individual tracks that you can fit on there. An average music file ripped at 192kbps is around 5mb in size and so a 100gb hard drive should fit around 20,000 tracks on there. However if you increase the quality of the track in MP3 format, then the file size rises also, so a 320kpbs mp3 could be as large as 11mb in size and so the same 100gb capacity would be reduced to holding only around 9000 tracks. Don't forget to factor in space for your operating software, drivers and DJ software when working out hard drive capacity!. You can of course expand your hard drive capacity by fitting external hard drives to USB ports, and these are also reliable. If possible try and use a system which runs USB2.0 or even firewire since these run at faster data speeds than conventional USB1.1 although many Dj's report no issues with hard drives and soundcards run from older 1.1 systems.

Give me Sound!

Using a good quality soundcard is a must!, many laptops and motherboard based sound chips on full sized pc's rarely do justice to sound quality or are designed with full time high quality audio playback in mind. Consider installing a pci sound card in your pc, or investing in a good quality USB external soundcard if you opt to use a laptop. Most 2 channel soundcards will suffice for DJ'ing in most mobile applications, where the audio is mixed between the players on the laptop and the single output is then fed through a pair of "L" and "R" connectors on the soundcard, and then into the mixer or amplifier.

However, if more creativity is required, or the software is to be used for mixing applications or the use of a crossfader between channels on a conventional mixer is likely to be utilised, then you need to buy a 5 channel soundcard. This allows the soundcard to be set up, in a manner which allows one pair of "L" and "R" outputs to be used for "Player 1" on the soundcard and fed into an individual channel on the mixer, and the same for "Player 2" - this allows each software player to have its own fader on the mixer - just like a conventional twin cd player.

What Quality?

Some Dj Software packages come complete with the means to "Rip" a cd. "Ripping" means placing the original Cd into the PC's CDROM and the process of converting the original music on the CD to MP3 Data, which is then stored on the hard drive as an MP3 File. In the case of OTSDJ, the option is also there to convert to a file called OTS, this is a custom files regonised only by the OTSDJ software, however it sounds just as good as MP3 and is also a slightly smaller file size, meaning that more OTS files can be stored on a hard drive when compared to conventional MP3 files.

If you use a DJ software package which does use conventional MP3 files, then you will need to select the quality at which to "rip". This figure is measured in "Kbps" and often ranges from 32kbps and 320kbps. Lower ranges are not recommended for professional use over a PA system since they can sound dull and even distorted. Ideally for professional use, the DJ should be looking at ripping their CD's to Mp3 files at 192kbps or greater.

192kbps is considered reasonable quality, however 320kbps is near cd quality and may be prefered by some Dj's - however on smaller audio systems the difference may be hard to detect. As the quality is increased, so does the file size, and a 320kbps file may be several mb larger than its 192kbps counterpart, it may also take longer to rip an entire CD at 320kbps than at lower rates.

For Dj Software which doesn't have ripping capability, Musicmatch Jukebox may prove to be an alternative for this process,

Are there any disadvantages to being a Digital DJ?

Now the disadvantages!. Obviously the initial cost of buying a PC / Laptop, a good quality soundcard, large hard drive and the Dj Software itself is likely to total far more than buying a conventional CD Player or turntables. It also takes time to "rip" your cd collection to Mp3 and store them on your hard drive. In some jurisdictions it is also illegal to convert original material to MP3 format for digital use without a licence, and this can prove to be expensive, if the Dj is to work on the right side of the law. It is the possible licence requirement that we discuss next.

Do I need a licence to play music from a laptop?

At the time of writing this article, an annual licence is required in Canada and the UK in order to use a PC or laptop to DJ from. In the UK, a further licence and possible royalty payment is also required for the conversion process. Although no fees have yet been advertised (April 2006) these controversal laws are likely to make this form of DJ'ing unattractive when compared to more conventional, and "licence free" alternatives.

Finally, my tips for Software Djing

* Always buy and use a dedicated pc / laptop purely for Dj use, do not be tempted to use the family pc or run other applications on the machine you use to DJ from, and do not allow this machine to connect to the internet. On a pre-used machine, also start from scratch with a format and fresh install of the operating system.

* Use a good quality soundcard, even if you need to upgrade or buy an external USB one

* Always rip the music direct from an original CD at 192kbps quality or higher. 320kbps is advised for higher quality pa systems and is near cd quality. 192kbps is okay for smaller systems used by the Mobile DJ.

* Don't be too concerned about buying the latest top of the range PC to run from. Most Dj Software will happily run from basic P3 600mhz machines, but do check out the minimum requirements on the software authors website.

* Read reviews on the various software packages available. Stick to the features that you will use, since you can always upgrade extras later. Take advantage of the free trials of DJ Software which are available and use the time to find the best software to suit you

* If you choose a full sized PC make sure that it is professionally flightcased - pc's are not designed to be carried around.

* Select a high capacity 100gb - 200gb hard drive from a reputable manufacturer. Where practical and legal always back up your data

* Fit your machine with at least 256mb of memory, and ideally 512mb.

* Check out the legal aspect of converting original music to MP3 and whether a licence is required to operate such a system.

You may freely use this article on your website, blog or forum, provided a working, active link is provided to the full article at http://www.djsite.info/idx/0/028/article/Running-a-Disco-from-a-Laptop-or-PC.html.

DJing Class Reunions Confidently and Effectively

How frustrating is it to DJ a class reunion? These events are probably the most annoying parties to DJ due to the ego's of the guests attending trying to look and sound "cool" to classmates who thought they were "cool in school". This is an informative article offering tips of effective music programming techniques and perfect responses to annoying guests. By the end of this article you should be confident and excited to DJ class reunions.

The Ego's of the party really depends on how old the crowd is. The older the crowd, generally, the more tame a crowd you'll have. The younger the crowd, prepare yourself for a night of bad requests, people telling you how to do your job and what to play, a few insults, and possibly the longest night of your life!

This article will teach you about choosing appropriate music, ways to format your music program, and what to say when guests come up to you when guests have requests and what to say to those guests who try telling you how to do your job. If you take this advice, you'll actually have a TON of fun DJing Class Reunions. Learn to Stay Cool and have fun because You have Total Control!

Hour 1: Choosing Music

What Year did they Graduate: Look up on the internet "Top Songs" from the year they graduated. Like, "Top Songs from 1994" if the class graduated in 1994. Make sure you put together a bunch of songs from that year and a few top songs from "around" that time period. EX. From 1993 and 1995. For about the first hour you want to play this type of music.

Hour 2: Play Some Current up-beat top 40 rock stuff

Hour 3: Open up the dance floor with Current Beat Music (Current Hip-Hop and some Current Rock Beat Music)

Hour 4: Play a few slow love songs for the couples to dance to and then open up the dance floor again with some really good dance music (try different sets and see how the crowd responds: Older hip-hop, Motown, Classic Rock Dance Set, Spanish music if the crowd may like Spanish (if the crowd looks like they like it keep going with it, if they look like they are getting bored, change up the set.)

End the night by asking the host what song their class song was. Play That and your night musically should have been a great success.

What do you Say When Guests request songs? "I've already played that" or "I'll work that in later on"

What do you say when a guest tells you what music you should be playing? You can say politely, "Thanks for the suggestion, but let me be the DJ and go enjoy yourself with your friends, we'll get to your stuff later" (smile)

When guests really, really want a song and they are pushy but not rude, they say things, like; "Come on if you play (This Song) everyone will dance to it." (people hardly ever do). Say ok. Play their song and announce that this person requested (THAT SONG) and said everyone would dance to it. People will then be hesitant to request songs, leaving you in control of the party.

What do you do when a guest gets belligerent about requests? With a smile say: "Would you like to DJ?" Show them your mixing board, and say, "ok have fun". Then walk away leaving them behind your booth, watch how fast they panic.

This is your party, your music, and you will never see these people again, so be super confident in your choices and decisions. Always be as polite as possible and never get angry (this shows that you are losing control). If people ever get super angry at you and may pose a danger, shut your equipment off, pack up, and leave. It's not worth you getting emotionally destroyed or hurt. Stay Cool and Calm because you really are a great DJ!

http://www.mixesthatwork.com is a site made for DJ's by DJ's. I am an entrepreneur and I am always seeking ways to make things better and run more efficiently. MixesThatWork.com is a site that is about to revolutionize the industry with instantly connecting DJ's to each other never leaving DJ's without a great mixes and programming.

10 Tips to DJing With Ableton Live

Ableton Live is a great program for music producers and djs alike. It offers great tools for creating music in the moment or doing more linear recordings. I'm going to walk you through how to make smooth dj mix transitions with live the way I do it. I've put one three channel eq on each track and set it up so that the numbers on my computer keyboard control the bass frequency kills on each one. I also open all the tracks I want to use in advance and set the warp markers for each song so that I know when I start it that it will be perfectly beatmatched. Keep in mind you have unlimited routing possibilities that allow you to control many perimeters in Live with Midi controllers or your computer's keyboard.

1. Get your bass kills setup using EQ Three on each track (I use the numbers on my keyboard as controllers) To do this activate the Key button on the top right then select the L on the EQ for low end and press the key you would like to set as the controller. If you are using a midi controller then select Midi on the top right instead of Key.

2. Make sure the 1 marker lines up with beat 1 in the track, and the tempo has to be correct or else you'll have to add markers throughout the track manually. If you know the tempo is consistent throughout the track but the tempo is not set correctly then line up the one marker on beat 1 and then go to beat 8 or so and line that one up without double clicking to the corresponding beat. This should change the tempo automatically to match.

3. Press play on track 1

4. Let it get into a groove and eventually bring in track 2 with the bass killed

5. When you want swap the basses out so the track 1 bass is cut and track 2 is bumpin'

6. Fade or cut out track 1 volume

7. Bump it

8. It's all about timing

9. You can press start on track 2 within four beats before the 1st beat you want to start on and live will automatically start on beat

10. Keep the beats bangin' when people are dancing (many people don't like it when a groove goes into some long break right when they were feelin' it.)

If you have any questions of how to do any of this stuff then feel free to contact me through my website and I will be happy to answer any questions you might have.

This article was written by Jacob Louis A.K.A. DJ Story.

Check out Jacob's website: http://www.intuitivebeats.com

The Art of Digital DJing

Thanks to recent advancements in the technology department, state of the art DJ gears and instruments are now available to most of us. The fact that you can actually play live sets at local venue using only your laptop and compatible DJ equipment is changing the entire DJ scene completely. A lot of new DJs are invading the market with their unique yet tasteful styles and new producers are producing tracks on a daily basis.

Digital DJing -- how most people call the trend -- is getting more and more popular thanks to available DJ sets and DnB sets as well. With more than enough inspirational boost downloadable at sites specializing in dance music, understanding different genres and finding the right materials or elements can be done swiftly and easily. All you need is enough storage space and an internet connection; sets and mixes can be downloaded to your laptop in no time.

Don't think that with so much tools to help you can actually create tunes and formulate sets easily; this is definitely not the case, especially if you are serious with a career as professional DJ and you care about quality more than anything. Studying proper theories and practices of old-school DJs can help you blend tracks and tunes in a better manner, producing generally more pleasant sets or mixes for your die-hard listeners.

Learn how to play with real DJ equipments as well should you want to play at live gigs. You need to be able to cope with track changing and elements adding to bring your set to life. The audience will never enjoy a monotone, often predefined, sets; you need to watch how your listeners react to different elements and fine tune your set accordingly throughout the play.

All in all, digital DJing can help you master different techniques faster although proper care and approach are still necessary. Make sure you appreciate the development as tools or ways to improve your skills -- not as means to reduce the amount of efforts you need to put into the study -- and you can be the future digital DJ real quick.

Beatplexity is an Internet database of thousands of DJ sets. With over 3000 DNB sets and many other genres including jungle, dubstep, house, ambient, funk, dance and more. The site has a community who are happy to upload mixes and allow them to be downloaded for free and most importantly love music.

DJing Basics - DJ Mixers

The DJ mixer is what sits between the turntables or CD decks and controls the amount of sound from either source that hits the dance floor. A mixer also allows for queuing up of tracks into headphones or monitors, and can incorporate digital effects that can be added to the output. Even if a DJ is using a laptop to mix with software, that laptop will still be connected to the house mixer before it hits the sound system.

When learning how to DJ, it's important to be familiar with the different types of mixers that could be encountered at clubs and venues. While most mixers follow a fairly standard set up, there are some which can be a bit more confusing the first time they are used. Perhaps the most commonly found mixer style to in clubs and venues is that which is patterned after the Pioneer DJM-500. This mixer was one of the foundations of early club music, and it's tough construction and simple to understand interface have made it popular even to this day. Many other units have emulated its control layout and flow. The DJM-500 is a 4-channel mixer, meaning it can accept input from up to 4 different audio sources at a time. At the bottom and near the middle of the mixer is a crossfader, which moves laterally, allowing the DJ to mix between each sound source. The sources themselves also each have vertical faders which can control the level of the audio input. Every channel also bears 3 knobs which can affect the basic equalization of the sound, giving the DJ control over low, mid and high frequencies.

Throughout the years, Pioneer has added more features to their newer generations of mixers, giving some a digital interface which allows for the use of dozens of different effects, as well as enhanced visual monitoring of audio levels through LED indicators. However, the basic form and function of the mixer have remained the same.

Some companies, such as Gemini, and Allen and Heath, take a less traditional approach when it comes to the placement of mixing controls. Some of the Xone series mixers from Allen and Heath look considerably different than the traditional Pioneer, with the crossfader shunted off to one side and tracks laid out across the mixer's horizontal instead of vertical axis. While approaching these different types of mixers for the first time may be intimidating, the easiest way to acclimate to them is to locate the standard controls that are common to all mixers (faders, crossfaders, volume knobs), and then gradually work out from there to discover the extra or unique features of the device.

Mixers take a lot of abuse in the live environment, and when dirt gets into a mixer's sliders, it can interrupt the contacts necessary for proper audio transmission, resulting in a scratchy, crackling sound. It is important to always make sure to test out a mixer before it is used, in order to make sure it is in peak operating condition.

Khary Reynolds is a Pro Account Manager for Guitar Center Professional, specializing on sound system design. He is experienced in putting together sound and live sound systems from the ground up as well as music and pro audio product sales. Also a certified CTS by Infocomm International, the trade association for the A/V industry, Khary is dedicated to go above and beyond expectations, establishing himself as a respected resource. Visit his site, http://www.audiogearpro.com

DJ Dance Floor Tips - Club DJing - Read The Crowd

Now I break this down some more by giving you DJ dance floor tips on how to read the crowd so you can play like a professional and make them go wild. Remember, the DJ not even looking up from his decks and playing out his programmed bedroom set doesn't transmit the right vibe.

The following DJ dance floor tips are what can really help you learn to read the crowd so you should try to remember to do this when out DJing.

How do your crowd look?

Playing latin house on the dance floor in a rock or hip hop club may not go down too well! Try to picture this now. Look at your crowd carefully and consider the following points before deciding what tunes are best:

1. Where are you? What city or country are you in and how much do you know about the people here?

2. Is this a straight or gay crowd? Use common sense here and adapt your tune selection accordingly.

3. What is the racial mix? Everyone knows that music tastes can differ according to race, but don't generalise. Test some styles, dabble in different tunes and see who reacts to what.

4. What style do they have? Are they scruffy, bearded or sharp and colourful? Are they carrying glow sticks? Long hair or short hair?

5. Do they know their music? Wearing suits and out for a cheesy best hits of the chart night? Many different styles exist.

Use the above observations to adapt and shape your set to your crowd, and test them with different styles of music to see how they react. This is really common sense and knowledge helping you shape your sets.

How do they respond to your DJ dance floor music?

Look up from your super blend of electro and hip hop for just one minute and observe who hits the floor when you play a certain tune. Who is losing it on his or her own in the corner? Who keeps looking up at you? Smile and you'll see how everything feels better.

The best DJ tip I can give you to read the dance floor crowd is to interact. Become one of them. It's the only way to really feel their vibe and get on the same wavelength. You may get some feedback from people who want to dance. Listen to it, because some people know what they're talking about. If you need to step things up a gear, sometimes people can wake you up to that. Really it can happen.

Wake up to your dance floor

Every disc jockey has had his or her off day and has needed waking up. If you see a particular group who dance more than everyone else, then play more of what they like. It's likely to get others on the floor too.

Gays and girls tend to dance more than straight boys, who will follow girls.

This article and many more other DJ tips, reviews, advice and a free guide to getting DJ gigs can be found at The Total DJ Site

Choosing the Perfect Headphones (DJing Basics)

One of the most overlooked aspects of DJing is headphone selection. It could be argued that being able to properly hear the music that is being cued and mixed is one of the most important aspects of a live DJ experience. The club environment is an extremely noisy one, and without the proper equipment it can be easy to get lost in the cacophony of sounds that present themselves.

There are three main sources of music that a DJ will be faced with when performing live. The first is the mix that is being heard on the dance floor itself. Most of the time, due to the position of the DJ booth and the fact that the venue's sound system is designed to fire towards the dance floor and away from the DJ, this will sound loud, muddy and confusing. DJ's must be able to tune out this music while they are mixing, only listening when they want to specifically check on certain sonic aspects of the music they are playing. A DJ's window onto what is being heard by partyers out on the dance floor is the monitor, or second music source. A monitor is a speaker or two speakers which represent the mix that is being sent to the club's main sound system. Since the monitor or monitors are located in the DJ booth, there are no distracting echoes or timing issues to cloud the sound.

The third sound source in a DJ booth are the headphones. The headphones are plugged into the mixer, and they are designed to allow the DJ to hear any of the tracks playing through that board. They can also listen to several sources at once, such as when the DJ wants to mix a cued track into what is already playing through the loudspeakers. The headphones are a crucial piece of gear for a DJ who wants to make sure that their transitions are dead-on accurate.

Obviously, clubs are noisy places. On top of the extremely loud music, there is also noise from the crowd combined with the chatting of other people who may be in or around the DJ booth. This makes it important to ensure that the headphones which have been selected are able to completely block out any external sound when it is time to perform a mix. Most headphones accomplish this by completely encircling the ear. By covering each of the ears, it is possible to make a fairly effective seal against outside noise. Proper DJ headphones are also self-contained, meaning that no sound leaks from them while they are being used. Some of the most popular DJ headphones are the V-series from Sony. For many years, the MDR-V500 was one of the standard DJ headphones in use around the world, and while still very good, they have been supplanted by the MDR-V700. These are larger and heavier than the previous generation, but they provide excellent clarity when listening in loud environments.

It is clear that when it comes to DJing, ear buds will not do. Comfortable, over-ear headphones which are capable of providing powerful bass response and distinguished highs are the best option for DJ's who want to make sure that they can execute flawless mixes every time.

Khary Reynolds is a Pro Account Manager for Guitar Center Professional, specializing on sound system design. He is experienced in putting together sound and live sound systems from the ground up as well as music and pro audio product sales. Also a certified CTS by Infocomm International, the trade association for the A/V industry, Khary is dedicated to go above and beyond expectations, establishing himself as a respected resource. Visit his site, http://www.audiogearpro.com

DJing Class Reunions Confidently and Effectively

How frustrating is it to DJ a class reunion? These events are probably the most annoying parties to DJ due to the ego's of the guests attending trying to look and sound "cool" to classmates who thought they were "cool in school". This is an informative article offering tips of effective music programming techniques and perfect responses to annoying guests. By the end of this article you should be confident and excited to DJ class reunions.

The Ego's of the party really depends on how old the crowd is. The older the crowd, generally, the more tame a crowd you'll have. The younger the crowd, prepare yourself for a night of bad requests, people telling you how to do your job and what to play, a few insults, and possibly the longest night of your life!

This article will teach you about choosing appropriate music, ways to format your music program, and what to say when guests come up to you when guests have requests and what to say to those guests who try telling you how to do your job. If you take this advice, you'll actually have a TON of fun DJing Class Reunions. Learn to Stay Cool and have fun because You have Total Control!

Hour 1: Choosing Music

What Year did they Graduate: Look up on the internet "Top Songs" from the year they graduated. Like, "Top Songs from 1994" if the class graduated in 1994. Make sure you put together a bunch of songs from that year and a few top songs from "around" that time period. EX. From 1993 and 1995. For about the first hour you want to play this type of music.

Hour 2: Play Some Current up-beat top 40 rock stuff

Hour 3: Open up the dance floor with Current Beat Music (Current Hip-Hop and some Current Rock Beat Music)

Hour 4: Play a few slow love songs for the couples to dance to and then open up the dance floor again with some really good dance music (try different sets and see how the crowd responds: Older hip-hop, Motown, Classic Rock Dance Set, Spanish music if the crowd may like Spanish (if the crowd looks like they like it keep going with it, if they look like they are getting bored, change up the set.)

End the night by asking the host what song their class song was. Play That and your night musically should have been a great success.

What do you Say When Guests request songs? "I've already played that" or "I'll work that in later on"

What do you say when a guest tells you what music you should be playing? You can say politely, "Thanks for the suggestion, but let me be the DJ and go enjoy yourself with your friends, we'll get to your stuff later" (smile)

When guests really, really want a song and they are pushy but not rude, they say things, like; "Come on if you play (This Song) everyone will dance to it." (people hardly ever do). Say ok. Play their song and announce that this person requested (THAT SONG) and said everyone would dance to it. People will then be hesitant to request songs, leaving you in control of the party.

What do you do when a guest gets belligerent about requests? With a smile say: "Would you like to DJ?" Show them your mixing board, and say, "ok have fun". Then walk away leaving them behind your booth, watch how fast they panic.

This is your party, your music, and you will never see these people again, so be super confident in your choices and decisions. Always be as polite as possible and never get angry (this shows that you are losing control). If people ever get super angry at you and may pose a danger, shut your equipment off, pack up, and leave. It's not worth you getting emotionally destroyed or hurt. Stay Cool and Calm because you really are a great DJ!

http://www.mixesthatwork.com is a site made for DJ's by DJ's. I am an entrepreneur and I am always seeking ways to make things better and run more efficiently. MixesThatWork.com is a site that is about to revolutionize the industry with instantly connecting DJ's to each other never leaving DJ's without a great mixes and programming.